Third in a series
In the philosophy and film course that I teach at St. John’s University, I rely on the theory of art of the great Thomist philosopher, Jacques Maritain, to give the students some sense of the ingredients that make up a great film or indeed any great work of art. When I was an undergraduate student in philosophy many years ago, Maritain was referred to in just about every course that I took. I have found his theory of art one of his special contributions. Maritain’s insights, I think, have helped me to interpret novels, plays and films.