If they’re lucky, artists they can create art that feels like a personal blessing. For photographer Wendy Random, that blessing can be found in the lowrider cars she photographs in California, New York, and around the world.
If they’re lucky, artists they can create art that feels like a personal blessing. For photographer Wendy Random, that blessing can be found in the lowrider cars she photographs in California, New York, and around the world.
During the feast of Our Lady of Guadalupe on Dec. 12, the Co-Cathedral of St. Joseph was filled with not only the passion and devotion of nearly 1,500 devotees — also known as Guadalupanos — but also artful demonstrations of tradition.
Mexican church and civic officials have canceled public feast celebrations for Mexico’s patroness at her shrine in Mexico City due to the COVID-19 pandemic. The celebration normally attracts 10 million pilgrims to the Basilica of Our Lady of Guadalupe, the world’s most-visited Marian shrine.
Twenty-year-old Abigail Zarate is a Latino Studies student at John Jay College of Criminal Justice, a Mexican-American, a Catholic, and a first-time voter. For some, this might sound like a lot, but for her, being many things at once is part of her cultural identity and faith journey.
People started lining up shortly after noon outside the 16th-century Our Lady of the Assumption Parish in southern Mexico City. Most practiced social distancing as best they could on a bustling sidewalk; all were clutching empty food containers.
Mexico’s Supreme Court ruled against a proposal that could have paved the way for the decriminalization of abortion across the country.
More than a war chronicle, “Saints and Sinners in the Cristero War: Stories of Martyrdom from Mexico” dissects the religious, social and political aspects of Mexico’s anti-Catholic history.