Guest Columnists

African-American Influence on Catholicism

By Cecilia A. Moore

FROM THE 1920s through the 1960s more than 300,000 African-Americans across the country chose to enter into communion with the Roman Catholic Church. Their choices to become Catholic set them apart from most African-American Christians who were members of Baptist, Methodist, Pentecostal and Holiness traditions.

However, in choosing Catholicism, African-Americans were returning to the earliest Christian traditions of their ancestors. African Christians had figured prominently in shaping the Catholic tradition. They made their imprint on Catholic theology, doctrine and religious practices.

St. Augustine’s teachings on grace and sin, monasticism and traditions related to intercessory prayer are just three examples of African influence on Catholicism. Christian kingdoms flourished for more than four centuries in Egypt, Ethiopia and the Sudan before Christianity had durable roots in Western Europe.

And, although Muslims were successful in establishing their faith throughout North Africa and in parts of sub-Saharan Africa by the ninth century, Christianity did preserve in parts of Africa and by the beginning of the 16th century, Catholicism was reintroduced to Africa by way of the trans-Atlantic slave trade.

Twentieth-century African-Americans who chose to become Catholic were rich, poor, middle-class, famous, infamous, ordinary, eccentric, well-educated, poorly educated, Southern, Northern, Midwestern, Western, raised in various Christian churches, religiously unaffiliated, politically engaged, apolitical and so much more.

No matter their individual characteristics, they had their own reasons for choosing Catholicism. Some did so to answer a call to a life as a priest, sister or brother. Some felt an internal spiritual call to Catholicism. Some joined the Catholic Church because they were married to Catholics, and others were attracted to the faith because they had friends who were Catholics.

There were women and men who found Catholicism to be the truest expression of Christian faith, finding themselves deeply attracted to the rituals and theology of Catholicism. Many were children who learned about Catholicism while attending Catholic schools. It was not uncommon for these children to bring their entire families into the church with them.

Some people became Catholic because when they were in need, the Catholic Church reached out to them. The Catholic Church’s stance on political and social issues drew others to the church. There were also 20th-century African-Americans who became Catholic who said they experienced a sense of equality in the Catholic Church that they did not experience in any other aspect of their lives.

Whatever their reasons were for choosing Catholicism, African-Americans changed the look and the experience of American Catholicism in the 20th century.

February is Black History Month. Why not take some time to learn about some of these 20th-century African-Americans who chose Catholicism and who made great contributions to the American Catholic experience? Here are three that to consider:

African-American children’s book author, Ellen Tarry, became a Catholic when she attended St. Francis de Sales, a Catholic boarding school for African-American girls run by the Sisters of the Blessed Sacrament in the early 20th century. As a young woman she got involved in the Harlem Renaissance and in Catholic interracial justice work.

Tarry’s books for children featured aspects of Catholicism and African-American life. She also published frequently in Catholic publications on issues that pertained to African-Americans. Her autobiography “The Third Door: The Autobiography of an American Negro Woman” is a fine way to begin learning about her and her contributions to American Catholicism.

Several of the more famous African-Americans who joined the Catholic Church in the 20th century were in the performing arts. Mary Lou Williams was a renowned jazz pianist and composer. She became a Catholic in 1957. She devoted the rest of her life to working to help musicians who suffered from various forms of addiction and to writing music for Catholic worship. She came to regard jazz as a gift that God gave her to give the Catholic Church. Jazz inspired her composition of dozens of hymns and four Masses. The most well-known of these Masses is “Mary Lou’s Mass.” To learn more about Mary Lou Williams, I recommend “Soul on Soul: The Life and Music of Mary Lou Williams” by Tammy Kernodle.

Finally, “The History of Black Catholics in the United States” by the late Benedictine Father Cyprian Davis. Father Davis’ work was integral to bringing attention nationally and internationally to the ways that people of African descent helped to develop Catholicism from the earliest days up through the middle of the 20th century.

But, many do not know that Father Davis also chose Catholicism. Catholic. Though trained in monastic history, he is most well-known for developing black Catholic history as a distinctive field study and scholarship around the country, especially at the Institute for Black Catholic Studies at Xavier University of Louisiana.

Moore is associate professor of religious studies at the University of Dayton, Ohio.